Better Call Saul has always bobbed and weaved between genres
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It's most importantly a drama, however on occasion it's likewise been a legitimate procedural, an extortionist parody,
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a wrongdoing thrill ride about the medication exchange, and an investigation of the connection between two ethically tested upstart lawyers.
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Monday night's finale, an episode called "Saul Gone" that was composed and coordinated by series co-maker Peter Gould,
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affirmed Better Call Saul at this point one more sort of series: a time-travel show.
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Time machines are strikingly suggested on three events in this last episode:
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in the initial grouping, when Jimmy and Mike talk during a flashback to their involvement with the desert;
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during a different discussion among Jimmy and Walter White that happens during the Breaking Bad period;
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and one more flashback to a never-before-seen trade among Jimmy and his sibling Chuck.
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For a show that is neither sci-fi nor dream, this is an obvious number of references to time machines.
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